The Prologue focuses on the use of political propaganda shown in the cinema and the television in the 1960's and throws light on the short films cult that were exhibited before the cinema sessions in Brazil.

After 20 years of exile in Paris, Gustavo returns to his native city São Paulo. Back home, he encounters a place which no longer exists. His old friends and family members have changed, almost beyond recognition. He tries to recapture the past, and make some sense of his life, that of his friends and family, and the present state of his native country.

A Porta dos Fundos special that promises unfiltered humor and satire on everything that unites and separates Portugal and Brazil.

A television production based on the legend of the well at Trenčín Castle. In the 16th century, the lord of Trenčín Castle was Štefan Zápoľský - Duke of Transylvania, known for his hardness. He built Trenčín Castle as a fortress against the Turks, which, however, could be easily defeated because it had no water. The Turks wanted to take advantage of this fact. Zápoľský, as a good tactician, did not wait for the Turks to attack and attacked their own camp. He won and took a large number of prisoners, including the beautiful Fatima, the wife of Duke Omar. Omar decided to ransom Fatima from captivity. Zápoľský knew only one price - water at Trenčín Castle. Omar undertakes to fulfill the condition and dig a well. He keeps his word and takes Fatima and the other prisoners from Trenčín Castle.

In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves on the wrong end of the spray paint can # the targets of anti-corporate campaigns by activists and protestors? No Logo, based on the best-selling book by Canadian journalist and activist Naomi Klein, reveals the reasons behind the backlash against the increasing economic and cultural reach of multinational companies. Analyzing how brands like Nike,The Gap, and Tommy Hilfiger became revered symbols worldwide, Klein argues that globalization is a process whereby corporations discovered that profits lay not in making products (outsourced to low-wage workers in developing countries), but in creating branded identities people adopt in their lifestyles. Using hundreds of media examples, No Logo shows how the commercial takeover of public space, destruction of consumer choice, and replacement of real jobs with temporary work # the dynamics of corporate globalization # impact everyone, everywhere. It also draws attention to the democratic resistance arising globally to challenge the hegemony of brands. Written by Loretta Alper

The ups and downs in the life of seven friends from Patras.

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